New day, new location as we shift to “Jada’s House”…

First set up in the new location, Jada’s living room.

“Jada”, Mary Nelson, poses with Chole’ who has volunteered her room as Jada’s room. Well, her parents did anyway.

“Cathy”, Leanne Littrell, confronts her daughter.

“Beth” is none too pleased about “Kimber’s” influence on “Jada”.

Hallway? Dolly shot!

Now Day 10…

“Derek” confesses to his parents.

“Derek” shows his parents what he’s been up to.

“See, Derek, surfing so much internet porn turns you into a bearded old man.”

“Mom” realizes her secret may be out… Susan Hess-Logeais did an outstanding job as “Mom”.

Crew gives David Williams a round of applause on his last day on the set.

Bryan Thompson is ready for his close-up…at least until the real actor is slotted in.

Katie makes Collin’s “Derek” character look hollow as he descends further into “Billy’s” world.

Never fear, you didn’t miss Day 8. It was a day off and none of the cast or crew volunteered to bring photos from their day off. But, here’s a look at Day 9!

Ryan Walters checks out the day’s first shot.

Key grip Tom Hanson adjusts a 2K light.

Tanner Ward and Mason Knight celebrate their last day on the set with a hug…kidding, actually they are practicing their wrestling for a scene. But it was, in fact, their last day on the set and both actors were awesome to work with!

Hey, Gavin, your agent called and said you’d be perfect as a young Elton John for an upcoming biopic.

Victoria Geil as “Ashley”.

“Billy” gawks at “Ashley” as she kneads dough, “Derek” is busy trying to find sodas.

Director Devon Lyon and Gaffer Steve Waters check out the lighting on the dough kneading scene.

The long term effects of being a sound man are as yet unproven, but Tyler Stephens gives us a pretty good idea of how things might turn out. Consider this, youngsters, before choosing your career goals.

Victoria Geil prepares for her final close-up of the shoot. Today was her last day on set and she was a joy to have around and handled several “awkward” scenes with aplomb.

We said goodbye, as well, to Nathan White who spent his last day on set. Here is the end of his final take! Nathan was fun to have on set and did a great job playing the creepy “Billy”!

“Derek” and “Billy” prepare to, you guessed it, surf some porn.
“Derek” and “Billy” trick “Mom” (Susan Hess-Logeais) into revealing her password.
Gavin preps for the close-up shot of him lecturing “Derek”.
“Andy” tries to convince “Mom” and “Dad” (David Williams) to put a blocker on the computer.
“Mom” and “Dad” during happier times…
Dagny Lyon questions her father’s shot set-up.

Below is a link to a PDF of the call sheets for days 12-22 of the production. These were also emailed to you.

Call Sheets for Days 12-22

Another great day on set, we covered all the parts of one of the critical scenes in the movie. Of course we shot them completely out of order!

Sound man Tyler Stephens prepares to find the neighbor who insists on mowing his lawn and messing up the audio.
“Ashley”, Victoria Geil, gets final touches on her make-up and wardrobe from Katie Atkinson before her scene.
Bryan Thompson and Moira Morel execute a dolly move while boom man Morgan Hobart grabs the sound.

Lynda and Jessica prepare the bears for future destruction by “Derek”.
Key grip Tom Hanson adjusts a light.

Crew prepares for the last shot of the day while silently plotting mutiny if the schedule runs long. Fortunately for the Director and Asst. Director the day went only 10 minutes late.
“Derek” dives for a fleeing “Billy” (off screen) while “Ashley” wonders what the heck is going on.
Director Devon Lyon and Gaffer Steve Waters put the finishing touches on lighting for Victoria Geil’s close-up.

Another great day on the set for ASL cast and crew! Here are some pics from the day:

“Derek” helps “Tristan” with his homework while “Kenny” zones out to his mp3 player on the couch.
Gaffer Steve Waters prepares the lighting - in this case some “blinds” - for the scene in Derek’s bedroom.
Director Devon Lyon goes over the next scene with “Andy”, Gavin Bristol, and “Derek”.
“Andy” (Gavin) preps for his big speech to “Derek” (Collin).

Assistant Director Kevin Curry takes a break from whipping the crew to stay on schedule to act as the lighting stand-in for Gavin Bristol.